![]() ![]() When I listen to the album, I get both a sparse and full feeling simultaneously. I knew they wanted the drums and the low end to feel huge, but also let the song shine. I think that pop music goes in waves between being calculated and feeling freer. I hope what Billie did was pave the way for people to do what they want. I was always busy but now it's been nuts. I can't predict the future, but I do know that a lot of people are calling me to mix their records now. How has it impacted you, and how do you see its broader impact on the music industry? When We All Fall Asleep has made a huge splash. We did one song, it turned into another and before we knew it, we had an EP which did really well. I realized I could work well with their style-the rock guys have one sound and hip hop guys have theirs, and I always sat in the middle. I moved to LA and collaborated with No I. ![]() Then the chorus came in and it was like crazy s! Rob, congratulations on your success with this album! How did your blended background fit when working with Billie? It's like organic drums and then acoustics into a pop song. Receiving as much attention for her unique production and songwriting as her Instagram persona, Billie is rightly being seen as a game changer in music, breaking all the rules of genre, style and pop culture. We spoke to Rob Kinelski, mix engineer for the record to discuss his fearless mix philosophy and how he too breaks the rules. Please enable JavaScript in your browser in order to make this website functional. ![]()
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